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This decade has also seen more established gay musicians like Jake Shears, Will Young and Adam Lambert exploring their sexuality more freely than ever within their work. Meanwhile South African singer Nakhane has explored the conflict between religion and sexuality in his music, and the British musician MNEK has been Grammy nominated, worked with Beyoncé, and received rave reviews for his 2018 debut album Language, which puts his queer identity front and centre.
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New gay pop stars who have emerged include Australia’s Troye Sivan, whose most recent album, 2018’s Bloom, explicitly discussed gay sex and the similarly forthright Years & Years frontman Olly Alexander, who has always embraced queerness in his work and public persona. The last decade in music has arguably been the queerest since the 1980s. She re-queered a mainstream that had fallen back into heteronormative mundanity.” But a decade on, with Gaga successfully branching out into film and TV, how queer is the mainstream? As Brian O’Flynn wrote in The Guardian: “Gaga did for my generation what Bowie did 20 years earlier. Gaga’s ascension was about more than eccentric costumes and ridiculous wigs. She was a fierce advocate for LGBTQ+ rights both on and off the stage, but her vocal support for the queer community and her own bisexuality didn’t hamper her success. Ten years ago, Lady Gaga became a global star at a time when the pop charts were politically sanitised. Why Tales of the City is the ultimate LGBTQ+ fantasy But have these advances been matched by a more fundamental shift in attitudes towards LGBTQ+ people - and is that evident in popular culture? The 2010s have been a decade where LGBTQ+ rights and freedoms have advanced significantly in the west – superficially, at least.